Video Editor / Motion Designer — TVC & Social

We're hiring an Editor who lives in After Effects.

Roughly 60% paid social, 40% television. Almost every project combines both disciplines: you cut the footage, then you build the motion that lifts it. Some weeks you're crafting a 15-second thumb-stop for Meta. The next you're finishing a TVC for broadcast delivery.

You'll work to designs from our senior designer, so you're not starting from a blank page. But this is a two-handed job. You need to cut footage properly, and you need to build the motion yourself in After Effects.

To be clear about what that motion work is: type and supers, logo animation, tracking, and light compositing. It's the animation that makes an ad land. It isn't character animation or 3D, and we're not looking for an animator. We're looking for an editor whose After Effects is genuinely good.

This is a permanent role, four days per week, moving to five in the near term as our workload grows.

Corsa isn't a faceless network agency. We're founder-led, built by someone with decades of experience producing for some of Australia's biggest brands. Those connections mean the briefs that land on your desk are the kind that normally sit inside much larger shops.

Premium work from day one. Our client roster is established brands with real budgets. No corner-cutting, no templated churn. Work that belongs on a reel.

Range that keeps you sharp. Performance social and broadcast TVC in the same week. Very few studios in Melbourne give you both.

A studio built for craft. Our South Melbourne space is set up for collaboration and focus, not open-plan chaos.

Get in early. We're growing fast. This role steps up to five days shortly, and joining now means real seniority as the creative function scales.

• Edit and finish paid social campaigns across Meta (Feed, Stories, Reels), with a performance mindset: hook structures, platform-native pacing, aspect ratio versioning at volume.

• Edit and finish television commercials to broadcast standard, through to network delivery.

• Build motion graphics in After Effects from supplied designs: type and supers, logo animation, tracking, light comp.

• Take projects end-to-end from rushes to final delivery, working alongside our Creative Producers.

• Run multiple concurrent client accounts and hit deadlines without dropping quality.

• Work inside established post workflows and client brand guidelines.

Essential

• 4+ years editing in an agency, production company or post house.

• Expert Premiere Pro and strong After Effects. Both, to a high standard. You cut the footage and you build the motion.

• Ability to work in a fast paced environment across multiple projects

• Confident with type animation, supers, logo animation, tracking and light compositing in After Effects, built from scratch to a supplied design.

• Editing craft you can point to: pacing, story structure, and sound design that holds attention.

• Proven paid social work. You understand Meta specs, hook structures, and what actually stops a scroll.

• Proven TVC work delivered to broadcast standard.

• The discipline to work to someone else's design and execute it better than they imagined it.

• Ability to juggle concurrent projects under deadline pressure.
  

Nice to have

• Familiarity with the CAD (Free TV) approval process (easily learned if not).

• Working knowledge of Photoshop, Illustrator or Figma for handling supplied files.

• Experience across TV, online and mobile in a single campaign.

Send your CV and a reel. In your application, tell us one piece on that reel you cut end to end, and what the brief was.

Shortlisted candidates will be asked to complete a short paid test using real footage and a supplied design. It takes a few hours and we pay market rate for your time.